Aleksandra Zamojska - soprano
The Polish soprano Aleksandra Zamojska studied at the Cracow Music Academy and at the Salzburg Mozarteum with Lilian Sukis and Breda Zakotnik.
Her first engagements brought the young Aleksandra Zamojska to French theatres such as Théâtre des Champs-Élysées in Paris and to the opera houses in Montpellier and Perpignan. She gave her Queen of the Night debut at RuhrTriennale under the conductor Marc Minkowski.
She regularly performs with the orchestra Opéra National de Paris. Among her other performances are those at Palais Garnier in the role of Amor in Gluck’s opera Orpheus and Eurydice. She also sang at the Oper de Bastille Zerina in the famous Michael Haneke’s production of Don Giovanni.
Her concert appearances include Beethoven’s Christus am Ölberge, Schönberg’s Die Jakobsleiter with the Deutsches Symphonie Orchester Berlin under the conductor M° Nagano.
In 2004 she gave her debut at the Salzburg Festival in Richard Strauss’ Der Rosenkavalier.

The season 2007/08 includes her first role as Aspasia in the Mozart’s opera Mitridate at the Theater Aachen, Germany. Her debut met widespread acclaim from both, the audiences and the critics alike.
In spring 2008, she appeared at the opera house Opernhaus Dortmund as Agrippina in Händel’s opera Delirio Amoroso.

In December 2009 Alexandra performed in the world premiere of Peter Bannister’s “Et iterum venturus est” under M°John Nelson at the Messiaen Festival in Paris, which then led her to tour France with Richard Strauss’ Vier letzte Lieder. At the moment she is recording Haydn’s Armida with Sir Norrington for the Deutsche Gramophon. Aleksandra Zamojska often collaborates with conductor Martin Haselböck and has appeared under his lead at various cities around Europe. Among her other achievements it is important to mention her participation in the project The Infernal Comedy with John Malkovich and Martin Haselböck.
In the summer of 2009 Aleksandra Zamojska sang in the open air performances of HÄNSEL UND GRETEL. She also toured lower Austria performing in the Richard Strauss’ Vier letzte Lieder and in the works of Haydn. In spring 2010 she gave her debut with Bamberger Symphoniker.

In September 2010 she sang in the centenary gala performances of Luigi Cherubini’s unknown opera KOUKOURGI at the Theater Klagenfurt, followed by her debut as Marzellina in Beethoven’s FIDELIO in Warsaw.

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Transcendental journey